The male gaze occurs when the camera puts the audience into the perspective of a heterosexual man. It may, for instance linger over the curves of a woman's body.
The woman is usually displayed on two different levels:
- as an erotic object for both the characters within the film
- the spectator who is watching the film
The man emerges as the dominant power within the created film fantasy. The woman is passive to the active gaze from the man. This adds an element of 'patriarchal' order and it is often seen in "illusionistic narrative film".
Mulvey argues that, in mainstream cinema, the male gaze typically takes precedence over the female gaze, reflecting an underlying power asymmetry.
Mulvey' also states that the female gaze is the same as the male gaze because women look at themselves through the eyes of men. A feminist may see the male gaze as either a manifestation of unequal power between gazer and gazed, or as a conscious or subconscious attempt to develop that inequality. From this perspective, a woman who welcomes an objectifying gaze may be simply seeking to benefit men, welcoming such objectification may be viewed as akin to exhibitionism.
The Male Gaze typically focuses on:
- Emphasising curves of the female body
- Referring to women as objects rather than people
- The display of women is how men think they should be perceived
- Female viewers, view the content through the eyes of
a man
No comments:
Post a Comment